Athens Exhibition: Why Look at Animals?

2025 Why Look At Animals exhibitions © NMCA Athens EMΣT

Athens, from 16th of May 2025 to 15th of February 2026

Curated by Katerina Gregos, Why Look at Animals? A Case for the Rights of Non-Human Lives is a major group exhibition that centres on animal rights and animal well-being, highlighting the need to recognise and defend the lives of non-human animals in an anthropocentric world that marginalises, oppresses and brutalises them. The exhibition is inspired by the seminal text of the same name by John Berger, “Why Look at Animals?” (1980), which explores the animal-human relationship in modernity and how animals have become marginalised in human societies. With the participation of more than 60 artists from four continents and with over 200 works occupying all the floors of the Museum, Why Look at Animals? is the largest exhibition ever organized by EMΣT and the first major exhibition on non-human animal rights internationally.

The exhibition and public programme organised around it aim to raise awareness of the conditions of non-human animal life today – from the agricultural industry, the science lab and the business of entertainment, to the state of wildlife and animals subsisting in urban environments – asserting the personhood of animals as sentient beings, with unique intelligences of their own. Why Look at Animals? highlights the fact that the myriad species that exist alongside us are an integral part of our biosphere and ecosystems, not products and automata, separate from and subordinate to us. With this project EMΣT puts ecological justice and the rights of non-human life at the heart of its programming for the months to come. If humanity wants to engage with climate justice, biodiversity and environmental protection, non-human animals form an integral part of the discussion.

Τhe exhibition features a guest curated project, Sonic Space, consisting of a selection of audio works created by artists and researchers in fields such as zoomusicology and eco-acoustics, curated by Joanna Zielińska.

Ang Siew Ching I Art Orienté Objet (Marion Laval-Jeantet & Benoît Mangin) I Sammy Baloji I Elisabetta Benassi I John Berger I Rossella Biscotti I Kasper Bosmans I Xavi Bou I Nabil Boutros I David Brooks I Cheng Xinhao I David Claerbout I Marcus Coates I Sue Coe I Simona Denicolai & Ivo Provoost I Mike Dibb & Chris Rawlence I Mark Dion I Radha D’Souza I Maarten Vanden Eynde I Jakup Ferri I Alexandros Georgiou I Igor Grubić I Gustafsson & Haapoja I Joseph Havel I Lynn Hershman Leeson I Annika Kahrs I Menelaos Karamaghiolis I Anne Marie Maes I Britta Marakatt-Labba I Nikos Markou I Angelos Merges I Wesley Meuris I Tiziana Pers I Paris Petridis I Janis Rafa I Rainio & Roberts I Marta Roberti I Mostafa Saifi Rahmouni I Lin May Saeed I Panos Sklavenitis I Sonic Space I Jonas Staal I Daniel Steegmann Mangrané I Oussama Tabti I Emma Talbot I Nikos Tranos I Maria Tsagkari I Dimitris Tsoumplekas I Euripides Vavouris I Kostis Velonis I Driant Zeneli

© NMCA Athens EMΣT

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JOHN BERGER

Storyteller, essayist, novelist, screenwriter, playwright, painter and critic, John Berger (1926-2017) is one of the most internationally influential writers of the last fifty years. Solo or in collaboration with Jean Mohr for example, he published more than 30 titles, the Booker Prize winning novel G and the best-seller Ways of Seeing. He has also published articles in the most important newspapers around the world.

He used to work and live in Quincy, a small French peasant community, the setting for his trilogy Into their Labours.

Painters, cineasts, writers, dancers, curators have been and are still inspired by his work, this website is a window on these TODAY creations.